Gable is Harry Van, a World War I vet and struggling
vaudeville performer when he meets Irene (Shearer), an acrobat, while
performing in Omaha, Nebraska. They have a brief romance before going their
separate ways. Many years pass as Harry tries different acts and odd jobs in
between. Fast forward to 1939 and Harry is on a train in Europe with his
current act, Les Blondes. They get stopped from getting into Geneva due to
the impending war. Stranded at a mountaintop hotel, Harry notices a Russian
countess who looks just a tad too familiar--could it be Irene from Omaha?
Reviews
Photoplay magazine, May 1939
Letter to the editor
The title may be "Idiot's Delight", but I guarantee the film will be the
delight of everyone! May I salute Norma Shearer for her audacious portrayal
of the Russian countess and applaud the years jauntiest "hoofer", Clark
Gable! Nor can I soon forget the poignant quality of Burgess Meredith's
pacifist role.
Thank you, Hollywood, for taking this sparkling stage success and, in the
medium of films, preserving all the original dramatic punch and, yes, in this
instance, making it even better. May such splendid casts appear more
often--and may they always have as shining a vehicle to which to ride before
the public as "Idiot's Delight"! ~Marjorie Brouillette, Seattle, Washington.
Photoplay magazine, April 1939
Robert Sherwood was allowed to adapt his own play in his own manner and the
result is gorgeous. Clark Gable, never more vital, plays the hoofer who
survives the World War and tries in multitudinous ways to keep body and soul
together in the following years. In a European Hotel he meets Norma Shearer,
whom he had last seen as a trapeze artist in a small American town. Now
she's a phony Russian countess, traveling with Edward Arnold, a munitions
manufacturer. Also at the hotel are Burgess Meredith, a fanatical radical
who is ready to die for his pacifism, a young English couple on their
honeymoon and a German scientist.
Take these people against the electric background of the next war--which is
just beginning--and you have drama in fantastic proportions. Add to this the
magnificent characterizations of Gable and Miss Shearer and you have the
best in entertainment.
Photoplay magazine, July 1939
An
effective screen treatment of the Lunt-Fontanne play. Clark Gable is a
vaudeville ham; Norma Shearer, a phony Russian countess traveling with
Edward Arnold, a munitions maker. Add assorted characters, put them in an
Alpine hotel when the next war breaks out and you have drama in fantastic
proportions. Salute! Hollywood grows up.
"Puttin' on the Ritz"
Quote-able Gable
"Ok, pal." first line
"Yeah, I know, I shouldn't have let the war last so long!"
"Oh, you like my electrical personality, huh?"
"We got a very warm reception tonight--in fact I'm still burning!"
"What's more, it cost seventy-five cents! You know, that's the most
expensive present I ever bought for any dame!"
"You know, Irene, I've met a lot of dames in my time and most of them are so
dumb you have to talk to them in sign language. You're the only one I ever
met that I couldn't answer."
"That's the trouble with Europe--too many frontiers, they keep waking you
up!"
"You know this place looks to me like it's laying an egg!"
"Those gams of yours are my bread and butter!"
"Get me a scotch and put ice in it. If you haven't got any ice, go out and
scoop up some of that beautiful white snow."
"I've been rude to lots of people and never regretted it."
"All my life I've been selling phony goods to people of meager intelligence
and great faith."
"Seems to me everybody would be must happier in Europe if they only knew how
to make decent coffee."
"Oh, I'm not very interesting--I'm just what I seem to be."
"She occupies a unique shrine in the temple of my memory."
"I leave the girls to their own resources--of which they have plenty!"
"Quit pawin' me, will ya? If you're hooking up with me it's for professional
reasons only, see?"
"I loved you all the time, Irene." last line (while signing
hymn)--international version
"Over here, boys, over here! See the big show!" last line--domestic
version
Behind the Scenes
The film has two endings. In the international
version, Gable and Shearer are seen solemnly singing a hymn while the hotel
is being bombed. In the domestic version, the hotel is still being bombed
but Gable and Shearer start carrying on about their new act and Gable begins
playing an uplifting tune on the piano. Since the United States had not
yet joined the war, they thought it was best to film two endings: a more poetic
one for international audiences to show their sympathy for the war, and an
uplifting carefree ending for American audiences.
Gable was very nervous about the singing and dancing required for the role.
He spent over six weeks rehearsing, often at home with Lombard as his coach.
On the day they shot the "Puttin' on the Ritz" number, the set was closed to
outsiders. Lombard came by to watch and gave him a bouquet of roses
afterward.
The end of the "Puttin' on the Ritz" scene, where the Blondes carry Gable
off stage, was the last scene filmed as the director was worried Gable would
get hurt. They did do it in one take and no one was injured.
In the "Puttin' on the Ritz" number, the second dancer from the left's dress
strap breaks halfway through the number and she gets out of step while she
holds her strap up.
Lombard had quite a laugh at Gable's line "What's more, it cost seventy-five
cents! You know, that's the most expensive present I ever bought for any
dame!" and chided him with it often. She said it was true to his frugal
nature.
Lana Turner was cast as one of the "Les Blondes" and dyed her auburn hair
for the role. Before she could start filming, she came down with
appendicitis and had to withdraw from the film. She kept the blonde hair and
it became her signature look.
Greta Garbo was originally offered the role of Irene. Shearer later admitted
that the mannerisms and accent of "Russian Irene" were an imitation of Garbo.