Gable is Eddie Hall, a small-time con man on the run from the cops when he
bursts into Ruby Adams’ (Jean Harlow) apartment and finds her in the
bathtub. Ruby and Eddie quickly realize they are two peas in a pod: she is
somewhat of a con artist herself, seducing and manipulating men to get what
she wants. This is definitely pre-production code stuff, as the film offers
no innuendo to cover up the fact that Eddie and Ruby are sleeping together.
One of Eddie’s cons goes bad and he ends up in jail. Ruby is waiting for him
upon his release and they quickly hatch a plan to con money out of one of
Ruby’s suitors. It turns sour when Eddie becomes jealous and accidently
kills the man. When the cops arrive, Ruby and Eddie are on their way back
from getting a marriage license. Ruby gets lost in the crowd and nabbed by
the cops, while Eddie escapes. She is sentenced to two years in a women’s
reformatory. Soon after arriving there, she realizes she is pregnant. When
Eddie learns of her pregnancy, he rushes to be by her side. Ruby’s fellow
inmates help hide him and orchestrate a wedding for them in the campus
chapel, after Eddie pleads for the priest to marry them so his kid can have
a chance and not be illegitimate. Just after they are pronounced man and
wife, Eddie is hauled away by the cops and Ruby is left alone, crying. Time
passes and the film ends with Eddie being reunited with Ruby and their small
tow-headed son at the train station.
Quote-able Gable "Doesn't belong to you either, does it?" first line
“Listen sweetheart, how about you and me getting
together tonight?”
“Don’t be so hard to get—I’m the fellow that saw you in
the bathtub!”
“Gypsies are always supposed to keep movin’!”
“You’re not sore on account of that dame, are you? She
don’t mean a thing to me!”
“Yes sir, that baby’s got rhythm!”
“Wait a minute, darling, you ain’t going to cry on your
wedding day, are you?”
“Gee this feels good!” last line
Jean Harlow singing "Hold Your Man"
Behind the Scenes Hold Your Man was adapted from a story by
Anita Loos, a screenwriter on the MGM payroll. It was rushed into production
as the studio was anxious to reteam Gable and Harlow after
Red Dust
was a smash hit.
During production, Gable’s estranged father, William
“Bill” Gable, turned up (some sources say at his house, others say it was at the MGM
lot). He was quite disheveled and ill. Clark's wife Ria welcomed him into
their home, where he remained for the next two years.
Gable was still in the middle of an affair with
Joan
Crawford at this time and her husband, Douglas Fairbanks Jr.,was
threatening to name Gable as co-respondent in his divorce filing. Studio
head Louis B. Mayer ordered Gable and Crawford to stay apart to avoid a
scandal.