Gable is Russ Ward, an aging Broadway producer deep in debt and losing his
touch. When he
finally decides to throw in the towel, his much younger secretary, Ellie
Brown (Baker),
admits to being in love with him. Her speech to him gives him the idea for a
great play
and he sets to work on it, reviving his career, leading Ellie on in the
process. She
proves she can play the lead role and becomes a success. Russ starts to have
feelings for
Ellie but his ever-present meddling ex-wife, Kathryn (Palmer) interferes.
Ella Fitzgerald singing the hit theme song, by Ira and George Gershwin
Quote-able Gable
"Hello? Thank you, operator." first line
"I don't believe in awards, they're for historians. I deal strictly in the
future books."
"You read contracts for a living! What do you know about character and
plot?"
"Are you trying to tell me that I'm through? That I'm old fashioned, a
has-been? Well
even if you're thinking it you couldn't be more wrong!"
"Your cough is the illegitimate child of you and those cigarettes!"
"You cast a sixty year old man pawing over a girl of twenty and the audience
will go home
sick!"
"I believed in you. It's too bad you haven't courage enough to believe in
yourself."
"Come on, let's have a farewell drink before the ship goes under."
"You'll find someone else. The world is full of exciting people, much more
exciting than
I am."
"I'm an expert on the care and feeding of egos."
"I've seen French generals kiss heroes with more passion!"
"Marriage is a serious thing. You don't just jump into it in the middle of a
play."
"I remember my first opening, 22 years--well, what difference does the date
make, the
feeling's the same."
"Honey, tonight you'd marry Frankenstein."
"You think it's safe to be out here alone? You might easily be stabbed!"
"Have you realized how few clothes you have on?"
"Nothing has ruined more good actors than the bottle."
"I'm no artist. I'm a promoter, pure and simple. There isn't anything I
wouldn't do to
stay on top, I'd use anybody or anything. You know, I've gotten by on
hustle, on out-
working, out-talking, out-promising and out-gambling everybody else. I don't
always come
home nights. I've got a bad temper and I'd make a poor father. I can only
die broke, out
of breath and facing reality for the first time. Ellie, you'd be a fool to
marry me."
"You were a kid who got some glamour dust on her and couldn't see straight."
"That's one of the tragedies in life. People not believing what's right in
front of them."
"Youth. The kids can have it!"
"There's an angry husband if I've ever heard one. And I have."
"What right did you have to risk MY money on MY play?"
"Maybe you're right." last line
Behind the Scenes
Based on the 1930 play "Accent on Youth." It had been filmed twice before,
in 1934 with Herbert Marshall and in 1950 with Bing Crosby (as Mr. Music).
The film's title theme song far outlasted the film in popularity. Originally
sang by Ella Fitzgerald, it became a standard.
The only time Gable worked with director Walter Lang, who was a longtime
friend. Walter's wife, "Fieldsie" Lang, was Carole Lombard's
close friend and
Carole was godmother to their son, Richard.
On the marquee for the play in the film, "Give Me Your Hand", the name
"Richard Lang" is listed as one of the actors. That is the name of the
director's son.
A flop at the box office, largely blamed
on the miscasting of Carroll Baker, who wasn't an established actress and
who lacked chemistry with Gable. However, it was the most critically
praised performance of Gable's post-war career.
Baker later recalled that her first scene to film was
the one in which she grabs Gable and kisses him. She was scared
stiff. She said he put her at ease but she still nearly fainted and had to
redo the scene several
times.
At the wrap party for the film, Gable gifted the cast with baskets of Kay's
homemade potato chips, made from their potato crop on the ranch.
Gable was nominated for a Best Actor Musical/Comedy
Golden Globe for his role. The film was also nominated for Best Picture
Musical/Comedy and Lilli
Palmer was nominated for Best Actress.